FAQs
There isn’t a set amount of time for making a painting. It really depends on things like the size and how complex the piece is. Some paintings take weeks to finish, while others come together in just a week.
When I paint plein air, or on location, it usually takes me 3 to 8 hours. I often use these plein air paintings as studies to help me observe and understand the subject before I start a larger piece in the studio.
I usually begin with small sketches or studies using pencil and marker. I use four shades, from very light to dark, to see how the tones work together before I think about color. I often put a warm base color on the canvas before sketching the composition. I like working with oil paints because they let me try different techniques. I can do thin washes like watercolor, mix paint right on the canvas, work wet-on-wet, add oil, and use palette knives to create different textures in the finished piece.
I often start with a thin wash of acrylics as the base color because it dries fast and makes a good surface for oil paint. I use water-based oil paints, which might sound unusual, but they work just like regular oils. The best part is I can clean my brushes with only water, so I don’t need harsh chemicals. That’s a big plus for me! I’m still trying out different surfaces like linen, canvas panels, hardboard, and wood. Each one is different, and maybe one day I’ll find a favorite.
I am particularly drawn to landscapes shaped by their environment and weather, rather than those that appear immaculate or overly picturesque. Natural features such as eroded rocks or wind-bent trees convey a sense of resilience that I find inspiring.
Whenever possible, I visit exhibitions, with Impressionist and Expressionist painters being particular favorites. Experiencing works by artists such as Van Gogh or Monet in person, and observing their brushwork and color, is especially meaningful.
After living in Canada for nearly a decade, I am also inspired by the Group of Seven and Tom Thomson, whose work captures the scale and beauty of Canada’s wilderness and resonates with my own artistic approach. Having lived in different countries, I continually discover new artists who inspire me.
I work in an impressionist style, using broad brushstrokes rather than fine detail to capture atmosphere rather than idealized scenes. I consider myself a colorist and enjoy exploring color relationships to create beauty and joy from everyday life.
My collection of landscape paintings is titled ‘LUMENS.’ From the outset, my objective is to evoke a sense of light and luminosity. I begin by establishing the light source and shadows, then look for ways to elevate ordinary subjects. I consider how to create balance and contrast to guide the viewer's eye throughout the composition.
I am selective about accepting commissions, as most of my work is based on direct observation and my own reference photos.
I prefer to connect with the subject and often find inspiration in less conventional or wilder landscapes. If you are interested in a commission, please contact me through the form on the website.